Web Design

I know I usually use this blog for swearing and bad jokes but I thought I’d gradually introduce elements of something resembling a professional portfolio.

For a while now, I’ve been making websites and putting them mostly on the internet. The very first paid website job I ever had was for the Dartmouth North Community Centre, in Dartmouth, NS. The Website was really awful but I got to sit in a corner with a laptop and not talk to anybody all summer, which was an amazing experience. Fortunately, that website is no longer on the internet. They do have a wikipedia page, which is much nicer.

Recently I have built two sites for friends and relatives. Honey House Productions is a Peterborough recording studio run by Ben Davenport. I made a simple little brochure site (with some tastefully-presented media) for him. Hopefully it is still on the internet.

I also created a site for my brother-in-law, Jake Conlin’s construction business – Conlin Premier Construction. I experimented here with a few open-source scripts that use the jquery library because I don’t know how to code but I wanted to look like I do.

In conclusion, why is this a wordpress site? I am obviously capable of hand-crating my own site and this ridiculous backend is a deplorable frill for someone who only adds new content twice a year. Something to think about.

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Old Stuff Gallery: Loose sheets in a folder, collected over the last 10 years

I haven’t posted much lately. Mainly because my identity vomit has been spread across several blogs and other digital waste basins. In the spirit of wasteful self-preservation, I give you nine-hundred jpgs about nothing.

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The Truth Will Gross You Out

Something I’m often thinking about (besides whether I am going to be allowed back at the Golden Griddle) is the idea of ‘truth.’ Usually I get depressed when I think about an absolute crushing imperative order that dictates the state of reality and everything in it. But maybe the truth is just a comprehensive description of the present state of the universe (or the Tao or the happenscape, or the Big Waste, or whatever you want to call it) and it does not imply an ominous organization. It is not ‘intended’ for anything, least of all the destruction of peaceful delusions, and there’s no harm in facing it. Or at least rigging up a system of carefully arranged holes and mirrors so you can watch it while its changing.

The truth, I like to think, is something I value – despite its tendency to contradict things I care about momentarily, and its unsettling ability to severely upset precious things like ‘delusions’ and ‘innocence.’ Although you might be tempted, by certain liberal propensities, to dismiss most of what you perceive as ephemeral and untenable half-truths dissolving in an unending stream of changes, I like to think we can occasionally isolate certain objective-ish states that seem to endure. Doing this helps me focus on the things I value, like making fun of everything. I might, through a process of misguided connection-building and sense-making, discover, codify and incorporate a certain perception that suits my present mind-state very well and even supports a satisfying and integrated world view; however, being that a world view is just an aggregate of perceived instances of harmonious truths drawn from a limited catalogue of impulse-driven experiences, it might be completely incompatible with another set of ‘truths.’ This causes a lot of problems. Basically, my psyche (or headwomb, or mindcage or ‘tunnel of haunted mirrors’) is a flimsy and tenuous bricolage of flimsy tenuous beliefs, concepts and obsessions, all balanced on rickety planks of eroding logic that threaten to implode with the addition of any new information.

The point is that the truth is both compelling and repulsive. The best truths always create and destroy, and I have a good personal story to illustrate the revolutionary power of information:

When I was in grade three, I was sitting on a carpet in a classroom one day, surrounded by other grade three children.

I mean, I believe that’s where I was. I know I can’t trust my memory to be true and I apologize to people who were there and synthesized other aspects of these events. I figure that in storytelling one shouldn’t make apologies for one’s perspective but I’m trying to remind you that the truth is a slippery thing.

Yes, the room was filled with other children, also with wildly erratic and unpredictable mechanisms of perception snapping away inside their little heads (I am a child in this story too, so I definitely can’t be trusted.) My recollection is that on this day we were being taught about flowers or plants or something and one kid, in an expression of wildly-inspired free association, asked the question “Where do babies come from?” I remember that I understood the significance of the question and knew I didn’t want to hear the answer but – in what I now recognize as a performance of incredible bravery and devotion to truth – our teacher, Mme Gallant, actually proceeded to spell the whole thing out. In a very matter-of-fact way (and I’d expect no less from a true adult) she explained that a woman becomes pregnant as a result of sex, which is when a man puts his penis inside a woman’s vagina. I can’t remember whether she opted to colour this description with some hazy nonsense about the process being catalyzed by love or fairy dust or ben wa balls coated in powdered MDMA, but her biology was straight and the effect was earth-shattering for me. I remember being psychologically discomforted to the point that I crawled gradually toward the back of the classroom – to escape the truth. The feeling I had wasn’t really incredulity or disgust, it was more a sort of shock at the fact that I hadn’t imagined this truth already. It made perfect sense:

A boy has this thing that sticks out and a girl has a hole that leads in.

It should have been so obvious to me and I should have welcomed the truth but it scared me because it was so apparent and I had failed to figure it out on my own. Being taught this simple lesson hurt my pride but it also affirmed the presence of a sinister pervading logic at work in the universe (or “the Big Tummy,” or “The Wheel of Bad Jokes”) that would always elude me.

I think that maybe, a potential ‘take-away’ here is that figuring out how to adjust your mind to incorporate the best truth you have available is more important than fortifying whatever dome of blissful occlusion you’ve been toiling under. Maybe where it doesn’t harm anyone, you can still take refuge in ignorance once in a while. For example, even though I now know that it’s meant for something else, I still like to use my penis to press buttons, such as the power switch on the TV or the keys on a computer keyboard.

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Drawing is Impossible – Episode 2: Still Life Drawing

The “drawing is impossible” series is a simple outlet for me to express my fundamental distaste for and distrust of creativity. Throughout the series, I attempt to inform viewers about the various lies (perpetuated by the liberal media) surrounding artistic activities such as drawing and creative production; the first and most severe of these lies being that drawing is possible at all. It simply is not.

Hypothetically, lets say one could produce a drawing. Can you imagine the number of factors that would have to first be considered? The number of choices a person could make are literally endless. Add to this chaos the fact that drawing essentially has no purpose and we are now awash in a sea of flabby subjective fantasies. You try to grab ahold of a scabby bloated life preserver but it turns to mud. Everything twirls and churns in a vile neurotic stew of messy uncertainty. You try to find a place to get some good old fashioned american wonderbread to weigh you down but you’re in an endless spiraling isle of challah and lumpy spelt-encrusted nightmare loaves. Grainy decadence surrounds you as you attempt to remember your purpose. You try to breathe but your throat is clogged with millet. You are no longer safe to choose anything. You have lost yourself to the void. All because you thought it might be fun to make a picture or two.

Please stay safe and avoid the void. Options kill.

Pro Tip: Watch it in HD

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Nostalgiacore

I would like to spend a post in sincere wistful reverence for my collaborative history with James Cope. We entered hesitantly into collabatrimony but have since overcome several collobstacles, including at least one unwanted participregnancy and subsequent collabortion. James and I have made many wonderful things together and I am going to try to collect them all here for your sincere wistful appreciation.

Flash Animations (circa, 2001?)
When James and I tried to make a zine and/or independent comic, (here is the theme song James composed for our semi-existent zine) I realized I couldn’t draw and started making cartoons in MS paint. I sent some of them to James and was amazed that he had actually taken the time to build primitive flash animations from them. Before this, I had never bothered to learn computer software and I’m pretty sure this early collaborative effort actually inspired me to learn flash and photoshop which eventually lead me deep into the haunted annals of adobe user’s manuals, pirated tutorial videos and far beyond the limits of normal computer use. Here are as many of the original pieces of art we created at that time as I can find. As I remember, we actually didn’t show these to anyone.

God Hates Quitters

Nostragamus

Crazy

Darkness

Pregnantown

Check out the rest on Youtube

Death By Art School
While the band/art collective/eclectronic collaboratrix/coldplay fan club, Death By Art School has existed since before time, my involvement with it began at one particular time. Using a few of my ramshackle ms paint pixelpiles, I created a series of posters which were applied generously to the various protruding elements of the Peterborough blandscape.
Here they are:

Following this, and my somehow acquisition of web programming skills, (the story seems to be that I drank a yet unrepeatable sequence of progressively stronger and more exotic beetle urine tinctures, then passed out in the desert with an HTML book in my pants,) I built the first incarnation of the DBAS website for which James provided some resplendent prose, not to mention, phat beatz, phitt phlowzz, and phyne phreaky phonomenetic pheatzzz.

Here’s what we’ve got now:

Songs
Recently, James created music to accompany some song lyrics I had written. Lyric writing is a fairly new thing for me but James did a terrific job of making them sound like real songs and smashing my awkward bulging syllables into his tight little meter.

Shounen Bat

The Sun is a Waste

You Put More Than Words in my Mouth I didn’t write these lyrics but they are brilliant. James made this one to accompany a (lost) flash animation I did featuring sewer robots vomiting on each other.

Hello Banana
Currently, we are working on writing sketches together for a kids show. We’ve got a fair bit of written material and I think these represent the most polished of our collaborative products. Or they will when they are finished.

Hello Banana website

That about concludes it. Thanks James. May we continue to make unfinished things that don’t make sense for people who don’t appreciate or understand us until I find a computer program that does exactly what you do. Collabros 4 life.

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